


Moutai , Wuliangye , Guo Jiao 1573 , Jian Nan Chun,PENFOLDS 518

From 27 February to 8 March, Huayi – Chinese Festival of Arts 2026 was grandly held at the Esplanade – Theatres on the Bay in Singapore. This year’s festival, themed “Let Huayi be your mane attraction this Year of the Horse”, brought together artistic talents from around the world, showcasing contemporary expressions of Chinese culture across diverse stages.
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Recently, a delegation from Guizhou Minggong Baijiu visited Singapore China Baijiu Pte Ltd for a visit and exchange. Both parties held in-depth discussions on baijiu promotion, market development, and potential cooperation opportunities.
Mr. Yang Xiangbo (centre), head of Guizhou Minggong Baijiu, personally led the delegation and introduced the brand’s history and distinctive product features. The meeting was conducted in a friendly and pragmatic atmosphere, with both sides engaging in constructive and meaningful exchanges.

Recently, Dunhuang art has traveled across mountains and seas to shine in Singapore. The classical Flying Fairy dance drama Dunhuang: Imprints, passionately created by the Dunhuang College, Northwest Normal University, was successfully staged in Singapore, taking audiences on a journey through a thousand years of history and recreating the grandeur of the Silk Road.

Formed 25 years ago, WANGWEN is a leading name in Chinese instrumental rock and post-rock, known for a musical style that blends icy intensity with warm emotional depth.
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Wukong’s 72 Transformations, is co-produced by the Singapore Chinese Orchestra and Esplanade – Theatres on the Bay.
Hero, rebel, warrior, icon—who is the real Great Sage of Heaven? After returning from his legendary pilgrimage, Sun Wukong reflects on his many identities through his seventy-two transformations. At times rebellious and defiant, stirring chaos across the Three Realms; at times humbled by love and introspection in moments of defeat—his story mirrors the desires and anxieties of different eras.
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